{"keyword":["binaural recording","3D sound","music production","Musikproduktion","Sound"],"status":"public","place":"Lemgo","supervisor":[{"full_name":"Lechtenberg, Frank","id":"10784","first_name":"Frank","last_name":"Lechtenberg"},{"full_name":"Kob, Malte","first_name":"Malte","last_name":"Kob"}],"citation":{"chicago-de":"Seserman, Angela-Nicoleta. 2012. <i>Binaural recording techniques in a popular music production</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","van":"Seserman A-N. Binaural recording techniques in a popular music production. Lemgo: Hochschule Ostwestfalen-Lippe; 2012. 46 p.","din1505-2-1":"<span style=\"font-variant:small-caps;\">Seserman, Angela-Nicoleta</span>: <i>Binaural recording techniques in a popular music production</i>. Lemgo : Hochschule Ostwestfalen-Lippe, 2012","ama":"Seserman A-N. <i>Binaural Recording Techniques in a Popular Music Production</i>. Lemgo: Hochschule Ostwestfalen-Lippe; 2012.","ieee":"A.-N. Seserman, <i>Binaural recording techniques in a popular music production</i>. Lemgo: Hochschule Ostwestfalen-Lippe, 2012.","mla":"Seserman, Angela-Nicoleta. <i>Binaural Recording Techniques in a Popular Music Production</i>. Hochschule Ostwestfalen-Lippe, 2012.","short":"A.-N. Seserman, Binaural Recording Techniques in a Popular Music Production, Hochschule Ostwestfalen-Lippe, Lemgo, 2012.","chicago":"Seserman, Angela-Nicoleta. <i>Binaural Recording Techniques in a Popular Music Production</i>. Lemgo: Hochschule Ostwestfalen-Lippe, 2012.","ufg":"<b>Seserman, Angela-Nicoleta (2012)</b>: Binaural recording techniques in a popular music production, Lemgo.","bjps":"<b>Seserman A-N</b> (2012) <i>Binaural Recording Techniques in a Popular Music Production</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","apa":"Seserman, A.-N. (2012). <i>Binaural recording techniques in a popular music production</i>. Lemgo: Hochschule Ostwestfalen-Lippe.","havard":"A.-N. Seserman, Binaural recording techniques in a popular music production, Hochschule Ostwestfalen-Lippe, Lemgo, 2012."},"type":"master_thesis","title":"Binaural recording techniques in a popular music production","language":[{"iso":"eng"}],"date_updated":"2023-03-15T13:49:34Z","date_created":"2019-04-16T09:14:29Z","has_accepted_license":"1","year":2012,"_id":"1045","file_date_updated":"2019-04-16T09:17:52Z","author":[{"first_name":"Angela-Nicoleta","last_name":"Seserman","full_name":"Seserman, Angela-Nicoleta"}],"ddc":["770"],"department":[{"_id":"DEP2001"}],"publisher":"Hochschule Ostwestfalen-Lippe","page":"46","user_id":"15514","file":[{"date_created":"2019-04-16T09:17:52Z","access_level":"local","date_updated":"2019-04-16T09:17:52Z","file_size":3865227,"content_type":"application/pdf","file_name":"Binaural_Recording_Techniques_in_a_Popular_Music_Production_Angela_Seserman_Master_Thesis.pdf","file_id":"1046","relation":"main_file","creator":"hemke"}],"abstract":[{"lang":"eng","text":"In the context of the increasing use of new portable evices, the potential of binaural recording techniques is being reconsidered. This kind of recording technique simulates human hearing and provides a 3D recording space, bringing in new mixing possibilities. For this paper, a song has been produced using inaural recording techniques and tested on a group of average listeners. The results suggest great potential for this technique for music production due to the 3D space that it brings but also significant limitation for commercial broadcasting."}]}